Play Along Piano

Tags

Baroque

Petri Sainio

2:07	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

Prelude

Michael Nicht

1:26	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	4	11	4	100%
		32	3	12	4	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	4	11	4	100%
		32	3	12	4	99%

K.178, Domenico Scarlatti

PreludeAndFugue

2:07	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	8	6	6	96%
		19	5	4	3	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	8	6	6	96%
		19	5	4	3	89%

Baroque_Spanish_Flea

joseph28801

1:25	Est. Play Time
130	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	0	7	5	98%
Contrabass	16	0	2	3	45%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	7	5	98%
Contrabass	16	2	3	45%
Violin I	10	1	3	36%
Violin II	13	3	3	19%
Violoncello	10	3	1	17%

Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.

Jamie Holdham

2:09	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

J.P. Rameau, Suite en Sol, Les Sauvages

pental

1:46	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	0	6	5	100%
		24	9	6	6	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	0	6	5	100%
		24	9	6	6	93%

From Darkness - Viola Cello Duet

GregorVomScheidt

1:57	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		18	5	4	5	100%
Violoncello		21	1	5	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		18	5	4	5	100%
Violoncello		21	1	5	5	99%

Couperin - La Commère

X. Paraskevas

1:16	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichorde		16	4	3	4	100%
		19	2	1	3	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichorde		16	4	3	4	100%
		19	2	1	3	99%

From Darkness - Cello Duet

GregorVomScheidt

1:57	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		23	6	6	5	100%
		21	1	5	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		23	6	6	5	100%
		21	1	5	5	99%

From Darkness - Violin Cello Duet

GregorVomScheidt

1:57	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		20	0	4	5	100%
Violoncello		21	1	5	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		20	0	4	5	100%
Violoncello		21	1	5	5	99%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%